Global Music Distribution
& Artist services

Global Music Distribution & Artist services

Born in Aotearoa
Est. 2017
DistributionPublishingRights ManagementContent CreationYouTube OptimisationLabel ServicesMarketingPlaylist Pitching
We help artists at every stage connect with audiences.
At Precise, we work across distribution, publishing, rights and artist development - bringing clarity and guidance to an industry that can often feel complex, and intent to how music is released, positioned and grows. We work alongside artists at every stage, from those just getting started to names already established, offering clear thinking and a steady hand as their careers evolve and connect with audiences.
Meet our Partners
Photo of Fiji

Fiji

Photo of Te Wehi

Te Wehi

Photo of Myshaan

Myshaan

Photo of Son & Water

Son & Water

Photo of Jaedyn Randell

Jaedyn Randell

Photo of Wavvy

Wavvy

Photo of Ekolu

Ekolu

Photo of MELODOWNZ

MELODOWNZ

Photo of Kings

Kings

Photo of Tenelle

Tenelle

Photo of High Watah

High Watah

Photo of Hori Shaw

Hori Shaw

Photo of Revus

Revus

Photo of Victor J Sefo

Victor J Sefo

Photo of Tiki Taane

Tiki Taane

Every artist and every career is different, which is why our partnerships are shaped around what matters to you.

Distribution Publishing Monetisation Neighbouring Rights PR & Communication Artist Services Studio Services
You stay in control, you retain ownership, and you have a team beside you making sure your music is understood, protected and properly represented - at home and in the markets it reaches.
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Featured Releases

SAW

Son & Water

I'm Home

Te Wehi

Happy Waste

Villainy

Slow Burn

Betty-Anne

My Love

Myshaan

2am in Kamuela

Wavvy

SAW

Son & Water

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“SAW (Son & Water)” is the duo’s self-titled anthem and a true statement of who they are. The track captures both their sound and their purpose: to make people sing, dance, and ultimately feel alright. At its core, SAW represents the coming together of Father and Son, Jamey and Diamond, blending different generations, energies, and influences to create music that genuinely moves people. It’s a fusion of old school and new school, with two worlds colliding to form a feel-good, irresistible groove designed to connect with listeners from the very first note.

Since its release on 30 January, the song has surged into the charts and shows no signs of slowing down.

• #2 on the Hot 40 Chart (just behind Noah Kahan)
• #1 on the Hot 20 Aotearoa Chart
• 1,000,000+ streams on Spotify alone, and climbing

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I'm Home

Te Wehi

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He wrote it at home, and you can feel that in it. Later recorded at Big Fan with producer Kings, the track carries the kind of knowledge that isn’t taught, it’s passed down – protecting the land, respecting it, and understanding your place within it. A lot of that comes from his grandfather.

The video stays true to that as well. It was shot on his farm – not dressed up or reimagined, just the place he calls home and looks after every day.

Born and raised in Edgecumbe in the Bay of Plenty, Te Wehi (Te Whānau-ā-Apanui, Ngāti Porou, Ngāti Whātua, Te Whakatōhea) has built everything from the ground up. His music reflects real life, and people have connected with that – not because it’s pushed at them, but because it’s honest and relatable. That connection has grown across Aotearoa New Zealand, and increasingly with people further afield who relate to the story and the kaupapa behind it.

I’m Home is the title track from his debut album, and comes as he prepares to head out on his first headline tour.

At its core, the song is simple.
It’s about knowing where you stand – and not losing that, no matter where things take you.

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Happy Waste

Villainy

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After more than a decade establishing themselves as one of Aotearoa’s most formidable rock bands – and off the back of an epic set at Jim Beam Homegrown 2026 – Villainy return with their new single Happy Waste, offering the first glimpse of the band’s long-awaited fourth studio album due later this year.

Built on the scale, melody, and raw intensity that have defined Villainy’s live sound for over ten years, musically, the track leans into the dynamic punch they’re known for on stage. Years of touring have shaped the band’s writing, and Happy Waste erupted from a renewed urgency to channel the energy of their live performances back into new music.

Frontman Neill Fraser says “Happy Waste has everything that makes us who we are – it’s big, melodic, vulnerable and raw.” The song centres on the masks people wear – the outward confidence we present to the world, often hiding something more complicated underneath: the “baggage, shadows and smoke screens.” With new music on the horizon and the band firing creatively, Villainy are stepping into their next era with renewed intent.

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Slow Burn

Betty-Anne

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After more than four decades as a defining voice in Aotearoa music, singer-songwriter Betty-Anne Hall is beginning a new chapter with the release of her debut solo album, ‘Slow Burn’. Created alongside whānau and friends, ‘Slow Burn’ is deeply rooted in Betty-Anne’s lived experience – drawing on love, loss and the resilience it takes to keep moving forward. Each track moves with the people and moments that have shaped her, bringing listeners into her journey through raw vulnerability.

The singer-songwriter describes each song as a taonga, saying the waiata are for anyone who has ever had to rebuild themselves and draw strength from those around them.

“These waiata make up the korowai I wear into this next chapter, with each thread woven from heartbreak, healing and the love that surrounds me”, she says.

The release of ‘Slow Burn’ signals the start of a powerful new era for Betty-Anne, celebrating a lifetime of music, celebration and courage.

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My Love

Myshaan

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With the release of his new album My Love, Myshaan delivers his most personal body of work yet, a heartfelt tribute to his wife and a defining step in a journey that continues to gather momentum across Aotearoa and the wider Pacific.

Featuring tracks like Missed Your Chance, Paint Them With You, and Pacific Beauty, the album captures both the intensity of attraction and the ache of long distance. Written during a period apart from his wife, shortly after proposing, the project explores commitment, resilience, and the challenges that come with a relationship worth fighting for.

“This album is about love in all its forms,” Myshaan shares. “The infatuation, the butterflies, and the overthinking. It’s about loving someone so deeply that even when they’re not there, they’re with you everywhere.”

The album quickly made its way onto the Official Top 20 Aotearoa Albums Chart, where it remained for four consecutive weeks, cementing its place as a standout release.

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2am in Kamuela

Wavvy

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Wavvy deliver ‘2am in Kamuela’, a track that captures the beauty of simple, unwavering love. Rooted in a backroad country feel with hints of island soul, the song is a windows-down soundtrack about choosing each other when nothing else seems certain. It speaks to the kind of connection that doesn’t rely on perfect timing or big plans, just two people standing by each other even when everything around them feels like it might fall apart.

With multiple singles landing on top Hawaiian radio charts, Wavvy have quickly emerged as a standout voice representing Hawai‘i on an international stage. Their connection with Aotearoa continues to grow, with New Zealand now their second highest streaming country and listener numbers increasing by an incredible 1,815 percent over the past year. With a 12-track debut album on the horizon, we can expect these numbers to continue to grow throughout 2026.

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