Global Music Distribution
& Artist services

Global Music Distribution & Artist services

Born in Aotearoa
Est. 2017
DistributionPublishingRights ManagementContent CreationYouTube OptimisationLabel ServicesMarketingPlaylist Pitching
We help artists connect with audiences.
Precise works across distribution, publishing, rights and artist development - bringing clarity and guidance to an industry that can often feel complex, and intent to how music is released, positioned and grows. We work alongside our partners at every stage, offering clear thinking and a steady hand as their careers evolve and connect with audiences.
Meet our Partners
Photo of Fiji

Fiji

Photo of Te Wehi

Te Wehi

Photo of Myshaan

Myshaan

Photo of Son & Water

Son & Water

Photo of Jaedyn Randell

Jaedyn Randell

Photo of Wavvy

Wavvy

Photo of Ekolu

Ekolu

Photo of MELODOWNZ

MELODOWNZ

Photo of Kings

Kings

Photo of Tenelle

Tenelle

Photo of High Watah

High Watah

Photo of Hori Shaw

Hori Shaw

Photo of Revus

Revus

Photo of Victor J Sefo

Victor J Sefo

Photo of Tiki Taane

Tiki Taane

Every artist and every career is different, which is why our partnerships are shaped around what matters to you.

Distribution Publishing Monetisation Neighbouring Rights PR & Communication Artist Services Studio Services
You stay in control, you retain ownership, and you have a team beside you making sure your music is understood, protected and properly represented - at home and in the markets it reaches.
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Featured Releases

Sink or Swim

Wavvy

I'm Home

Te Wehi

SAW

Son & Water

Happy Waste

Villainy

Slow Burn

Betty-Anne

My Love

Myshaan

Sink or Swim

Wavvy

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Some debut albums sound like introductions. Sink or Swim sounds like a band arriving.
Released today, May 1st, the first full-length project from Honolulu duo Wavvy – James Shaw and Kala’i Pomroy – brings together the steady rise they’ve built over the past year and turns it into something bigger. It’s a confident, well-timed release from artists who already know who they are.

Moving naturally between island reggae, R&B, country and pop, Sink or Swim never feels like it’s trying to tick genre boxes. Instead, it feels like a true reflection of the band themselves, relaxed, melodic, soulful, and grounded in real feeling. Love, loyalty, connection, late-night tension and lived experience all run through the record without ever being overplayed.

There’s range here too. 2am in Kamuela carries warmth and simplicity, Clouded leans into emotion, while Risk It All brings a darker late-night energy. Collaborations with HIRIE, Likkle Jordee and 8RO8 add texture and reach, while keeping Wavvy firmly at the centre of the project.

The timing feels right. Over the past 12 months, Wavvy has built genuine momentum. Their Spotify audience has grown by more than 1,700%, now sitting at nearly 300,000 monthly listeners, with more than 11 million streams across their catalogue. Aotearoa has become their second biggest streaming market – a clear sign their music is connecting well beyond Hawai‘i.
What makes Sink or Swim land is its honesty. Nothing feels forced. Nothing feels rushed. It’s the sound of two artists trusting their instincts and letting the songs speak for themselves.
For Wavvy, this feels less like a first step and more like the beginning of something real.

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I'm Home

Te Wehi

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Released on Friday, May 1, the first full-length project from Te Wehi is more than a milestone record. It is the sound of an artist stepping fully into himself – grounded in where he comes from, clear about who he is, and confident in where he is heading.

Born and raised in Edgecumbe in the Bay of Plenty, Te Wehi (Te Whānau-ā-Apanui, Ngāti Porou, Ngāti Whātua, Te Whakatōhea) has built his rise in a way that reflects the man himself: quietly, honestly and through hard work. Long before sold-out shows, chart success and major stages, he was creating music from his bedroom while running a fencing business and teaching himself production. There was never a grand plan to chase fame. Instead, there was simply a desire to make music that felt true.

That honesty has become the foundation of a connection with audiences across Aotearoa. Fans have responded to the authenticity in his music – songs shaped by real life, family, pride, love, growth and whakapapa. In an industry often driven by image, Te Wehi has built something rarer: trust.

That connection has translated into extraordinary momentum. Across 2025 and into 2026, he has consistently held the number one spot on the Aotearoa Music Charts, earned platinum and gold certifications, played standout sets at Jim Beam Homegrown and Rhythm and Vines, and joined L.A.B on tour across New Zealand and Australia.

But I’m Home suggests the story is only just beginning.

Created alongside acclaimed artist and producer Kings, the 15-track album captures the warmth, humility and emotional honesty that have made Te Wehi one of the country’s most compelling new voices. There is polish here, but never pretence. Every song feels connected to lived experience.

The title track, I’m Home, says a lot about the spirit of the project. Written at home and later recorded at Big Fan, it carries the kind of wisdom passed through whakapapa – respect for the land, understanding your place within it, and remembering what grounds you no matter how far life takes you. Much of that perspective comes from lessons handed down by his Koro/grandfather.

Its accompanying video, shot on Te Wehi’s farm, reinforces the same message. Nothing over-styled, nothing manufactured. Just the place he calls home and the life that continues to shape him.

That is what makes this album resonate. I’m Home is not trying to be anything other than a reflection of the man behind it. It carries cultural pride without needing to announce it. It speaks with emotional honesty without overreaching. It feels contemporary while staying rooted in something timeless – identity, whānau and belonging.

For many artists, success can create distance from where they began. For Te Wehi, success seems to have sharpened the connection.

With the album out now, he now heads out on his first nationwide headline tour this June, taking these songs directly to the people who helped build the movement around him. Expect strong crowds, loud singalongs and an artist meeting his moment in real time.Some albums mark a chapter. I’m Home feels like the start of something much bigger.

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SAW

Son & Water

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“SAW (Son & Water)” is the duo’s self-titled anthem and a true statement of who they are. The track captures both their sound and their purpose: to make people sing, dance, and ultimately feel alright. At its core, SAW represents the coming together of Father and Son, Jamey and Diamond, blending different generations, energies, and influences to create music that genuinely moves people. It’s a fusion of old school and new school, with two worlds colliding to form a feel-good, irresistible groove designed to connect with listeners from the very first note.

Since its release on 30 January, the song has surged into the charts and shows no signs of slowing down.

• #2 on the Hot 40 Chart (just behind Noah Kahan)
• #1 on the Hot 20 Aotearoa Chart
• 1,000,000+ streams on Spotify alone, and climbing

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Happy Waste

Villainy

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After more than a decade establishing themselves as one of Aotearoa’s most formidable rock bands – and off the back of an epic set at Jim Beam Homegrown 2026 – Villainy return with their new single Happy Waste, offering the first glimpse of the band’s long-awaited fourth studio album due later this year.

Built on the scale, melody, and raw intensity that have defined Villainy’s live sound for over ten years, musically, the track leans into the dynamic punch they’re known for on stage. Years of touring have shaped the band’s writing, and Happy Waste erupted from a renewed urgency to channel the energy of their live performances back into new music.

Frontman Neill Fraser says “Happy Waste has everything that makes us who we are – it’s big, melodic, vulnerable and raw.” The song centres on the masks people wear – the outward confidence we present to the world, often hiding something more complicated underneath: the “baggage, shadows and smoke screens.” With new music on the horizon and the band firing creatively, Villainy are stepping into their next era with renewed intent.

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Slow Burn

Betty-Anne

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After more than four decades as a defining voice in Aotearoa music, singer-songwriter Betty-Anne Hall is beginning a new chapter with the release of her debut solo album, ‘Slow Burn’. Created alongside whānau and friends, ‘Slow Burn’ is deeply rooted in Betty-Anne’s lived experience – drawing on love, loss and the resilience it takes to keep moving forward. Each track moves with the people and moments that have shaped her, bringing listeners into her journey through raw vulnerability.

The singer-songwriter describes each song as a taonga, saying the waiata are for anyone who has ever had to rebuild themselves and draw strength from those around them.

“These waiata make up the korowai I wear into this next chapter, with each thread woven from heartbreak, healing and the love that surrounds me”, she says.

The release of ‘Slow Burn’ signals the start of a powerful new era for Betty-Anne, celebrating a lifetime of music, celebration and courage.

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My Love

Myshaan

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With the release of his new album My Love, Myshaan delivers his most personal body of work yet, a heartfelt tribute to his wife and a defining step in a journey that continues to gather momentum across Aotearoa and the wider Pacific.

Featuring tracks like Missed Your Chance, Paint Them With You, and Pacific Beauty, the album captures both the intensity of attraction and the ache of long distance. Written during a period apart from his wife, shortly after proposing, the project explores commitment, resilience, and the challenges that come with a relationship worth fighting for.

“This album is about love in all its forms,” Myshaan shares. “The infatuation, the butterflies, and the overthinking. It’s about loving someone so deeply that even when they’re not there, they’re with you everywhere.”

The album quickly made its way onto the Official Top 20 Aotearoa Albums Chart, where it remained for four consecutive weeks, cementing its place as a standout release.

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