Global Music Distribution
& Artist services

Global Music Distribution & Artist services

Born in Aotearoa
Est. 2017
DistributionPublishingRights ManagementContent CreationYouTube OptimisationLabel ServicesMarketingPlaylist Pitching
We help artists connect with audiences.
Precise works across distribution, publishing, rights and artist development - bringing clarity and guidance to an industry that can often feel complex. We work alongside our partners at every stage, offering clear thinking and a steady hand as their careers evolve and connect with audiences.
Meet our Partners
Photo of Fiji

Fiji

Photo of Te Wehi

Te Wehi

Photo of Myshaan

Myshaan

Photo of Son & Water

Son & Water

Photo of Jaedyn Randell

Jaedyn Randell

Photo of Wavvy

Wavvy

Photo of Ekolu

Ekolu

Photo of MELODOWNZ

MELODOWNZ

Photo of Kings

Kings

Photo of Tenelle

Tenelle

Photo of High Watah

High Watah

Photo of Hori Shaw

Hori Shaw

Photo of Revus

Revus

Photo of Victor J Sefo

Victor J Sefo

Photo of Tiki Taane

Tiki Taane

Every artist and every career is different, which is why our partnerships are shaped around what matters to you.

Distribution Publishing Monetisation Neighbouring Rights PR & Communication Artist Services Studio Services
You stay in control, you retain ownership, and you have a team beside you making sure your music is understood, protected and properly represented - at home and in the markets it reaches.
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Featured Releases

Keep Jamming

Kolohe Kai

I'm Home

Te Wehi

Superstar

Rebel Souljahz

Sink or Swim

Wavvy

SAW

Son & Water

Happy Waste

Villainy

Keep Jamming

Kolohe Kai

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Roman De Peralta was just 15 when George “FIJI” Veikoso wrote two words on a napkin for him: Keep Jamming.

Nearly 20 years later, those words sit at the heart of Kolohe Kai’s new single “Keep Jamming”, featuring rising Hawaiian artists Wavvy.

Growing up on Oʻahu, Roman was still a teenager when Kolohe Kai started making music. Seventeen years later, songs including “Ehu Girl”, “Cool Down” and “Heartstrings” have travelled far beyond Hawaiʻi, helping Kolohe Kai build a worldwide audience and pass more than one billion streams across digital platforms.

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I'm Home

Te Wehi

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Released on Friday, May 1, the first full-length project from Te Wehi is more than a milestone record. It is the sound of an artist stepping fully into himself – grounded in where he comes from, clear about who he is, and confident in where he is heading.

Created alongside acclaimed artist and producer Kings, the 15-track album captures the warmth, humility and emotional honesty that have made Te Wehi one of the country’s most compelling new voices. There is polish here, but never pretence. Every song feels connected to lived experience.

The title track, I’m Home, says a lot about the spirit of the project. Written at home and later recorded at Big Fan, it carries the kind of wisdom passed through whakapapa – respect for the land, understanding your place within it, and remembering what grounds you no matter how far life takes you. Much of that perspective comes from lessons handed down by his Koro/grandfather.

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Superstar

Rebel Souljahz

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Rebel Souljahz are back. The beloved reggae group have kicked off 2026 with the release of their brand new single Superstar, a vibrant reggae/roots track that signals yet another strong chapter for one of the genre’s most consistent acts.

Produced by Phil Crown of Seven Suns, Superstar carries the infectious energy and rootsy authenticity that fans have come to expect from Rebel Souljahz, while showcasing the group’s continued ability to craft music that resonates across generations of reggae listeners.

The release comes on the back of a landmark 2025 for the group. Their hit single Back 2 My Roots proved to be one of their most successful outings to date, amassing over 4 million streams on Spotify and 5.7 million views on the official music video — numbers that speak to both their dedicated fanbase and their growing global reach.

With Superstar now out, Rebel Souljahz appear poised to build on that momentum and make 2026 another standout year. The single is available now on all major streaming platforms.

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Sink or Swim

Wavvy

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Some debut albums sound like introductions. Sink or Swim sounds like a band arriving.
Released today, May 1st, the first full-length project from Honolulu duo Wavvy – James Shaw and Kala’i Pomroy – brings together the steady rise they’ve built over the past year and turns it into something bigger. It’s a confident, well-timed release from artists who already know who they are.

Moving naturally between island reggae, R&B, country and pop, Sink or Swim never feels like it’s trying to tick genre boxes. Instead, it feels like a true reflection of the band themselves, relaxed, melodic, soulful, and grounded in real feeling. Love, loyalty, connection, late-night tension and lived experience all run through the record without ever being overplayed.

There’s range here too. 2am in Kamuela carries warmth and simplicity, Clouded leans into emotion, while Risk It All brings a darker late-night energy. Collaborations with HIRIE, Likkle Jordee and 8RO8 add texture and reach, while keeping Wavvy firmly at the centre of the project.

The timing feels right. Over the past 12 months, Wavvy has built genuine momentum. Their Spotify audience has grown by more than 1,700%, now sitting at nearly 300,000 monthly listeners, with more than 11 million streams across their catalogue. Aotearoa has become their second biggest streaming market – a clear sign their music is connecting well beyond Hawai‘i.
What makes Sink or Swim land is its honesty. Nothing feels forced. Nothing feels rushed. It’s the sound of two artists trusting their instincts and letting the songs speak for themselves.
For Wavvy, this feels less like a first step and more like the beginning of something real.

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SAW

Son & Water

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“SAW (Son & Water)” is the duo’s self-titled anthem and a true statement of who they are. The track captures both their sound and their purpose: to make people sing, dance, and ultimately feel alright. At its core, SAW represents the coming together of Father and Son, Jamey and Diamond, blending different generations, energies, and influences to create music that genuinely moves people. It’s a fusion of old school and new school, with two worlds colliding to form a feel-good, irresistible groove designed to connect with listeners from the very first note.

Since its release on 30 January, the song has surged into the charts and shows no signs of slowing down.

• #2 on the Hot 40 Chart (just behind Noah Kahan)
• #1 on the Hot 20 Aotearoa Chart
• 1,000,000+ streams on Spotify alone, and climbing

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Happy Waste

Villainy

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After more than a decade establishing themselves as one of Aotearoa’s most formidable rock bands – and off the back of an epic set at Jim Beam Homegrown 2026 – Villainy return with their new single Happy Waste, offering the first glimpse of the band’s long-awaited fourth studio album due later this year.

Built on the scale, melody, and raw intensity that have defined Villainy’s live sound for over ten years, musically, the track leans into the dynamic punch they’re known for on stage. Years of touring have shaped the band’s writing, and Happy Waste erupted from a renewed urgency to channel the energy of their live performances back into new music.

Frontman Neill Fraser says “Happy Waste has everything that makes us who we are – it’s big, melodic, vulnerable and raw.” The song centres on the masks people wear – the outward confidence we present to the world, often hiding something more complicated underneath: the “baggage, shadows and smoke screens.” With new music on the horizon and the band firing creatively, Villainy are stepping into their next era with renewed intent.

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